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AMERICAN THEATRE | Mike Nussbaum: The Work, the Fact, and the Hold

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Mike Nussbaum, who rose to prominence as an actor in early performs by David Mamet and appeared in numerous roles in Chicago theatres up till almost the tip of his life, died on Dec. 23, 2023. He was 99.


Most epitaphs are formulaic and lugubrious; and lots of, after all, are essentially factitious, as there’s a deal of decency in “nil nisi bonum.”

Among the many best epitaphs are these of the soldiers at Thermopylae: “Go inform the Spartans, stranger passing by, that right here, obedient to their legal guidelines, lie,” and that of Mel Blanc, who voiced the entire Warner Brothers’ cartoon characters: “That’s all, of us.”

A Civil Battle cemetery close to my home in Vermont had a number of monuments proclaiming, “Mother, She Made Dwelling Completely satisfied.”

As a good friend and colleague of Mike Nussbaum for 50 years, I can recommend no extra becoming nor respectful epitaph than that Kipling wrote for actors:

We counterfeited as soon as in your disport
Males’s pleasure and sorrow: however our day has handed.
We pray you pardon all the place we fell brief—
Seeing we have been your servants to this final.

Mike Nussbaum, relaxation in peace.

David Mamet


Be Like Mike

Mike Nussbaum was my creative father. I regarded to him for help, steerage, and a deep and constant friendship. I do know he felt the identical about me. In a movie assembled for my anniversary at Northlight, he mentioned, “I consider B.J. as my finest good friend within the theatre.”

Up to now few weeks I’ve obtained so many cellphone calls, texts, and emails providing condolences on his passing. However in response to all of them, I’ve informed associates that I used to be comfortable for him, as a result of within the final yr after I stopped by to spend time with him, he’d inform me he was able to go. He informed his pricey good friend Barbara Gaines, founder and former creative director of Chicago Shakespeare, the identical factor.

He directed me, I directed him, we acted collectively. Over a dozen performs at Northlight have been graced together with his presents, starting with our first manufacturing in 1975, Jumpers, directed by Frank Galati. Mike was then Northlight’s creative director, and considered one of its founders, together with Galati and Greg Kandel, an MFA graduate at Northwestern. However he solely stayed in that job for a yr, as a result of Mike was an actor, and that’s what he needed to do.

He was a consummate skilled. He jogged when he nonetheless might, and famously did his each day 50 push-ups. He confirmed up off-book for first read-through, sending us all scrambling residence to study our phrases.

Extra importantly, it was his loyalty to the Chicago theatre neighborhood that impressed me. In 1983 whereas he was showing on Broadway in Glengarry Glen Ross, I referred to as him to ask if he would seem in my manufacturing of Quartermaine’s Phrases at Northlight. He requested Annette, his spouse, what she thought, and Annette mentioned, “Sure! I’m bored with New York.” Coming again to the cellphone, he informed me he was on. Think about leaving Broadway to seem at a regional theatre in a transformed grade college, the place, as Mike Maggio, considered one of my predecessors, mentioned, “The hire was excessive and the urinals have been low.”

As a result of it was by no means about Broadway or Hollywood for Mike. For Mike it was about “the cling,” the work, and Chicago’s actors and audiences. He liked sitting within the inexperienced room laughing, dishing, being adrenalized by the following technology of actors, racing to beat John Mahoney to complete the Instances crossword on Sundays. And all the time, all the time, telling the reality onstage.

A dozen or so years in the past, I noticed I won’t get to behave with Mike once more. So I reached out to David Mamet, whose performs had made Mike nationally acknowledged, and requested if he’d write a curtain raiser for Mike and me to learn at occasions. He replied that he would “placed on his velvet pondering cap,” and in two weeks I had a 15-minute skit referred to as Pilot’s Lounge. I referred to as Mike and requested what he thought. He mentioned, “I don’t get it.” However once we lastly received to learn it, Mike received laughs! As normal, it was Mike’s chemistry, which Mamet knew so effectively, that bought the piece.

Mamet included a narrative a few leather-based bomber jacket Mike owned from World Battle II. The story was that Annette had the jacket cleaned, and in Mike’s view, the cleansing ruined it. Mamet wove that story into the play. It was a narrative Mike informed David 40 years earlier than in rehearsal, and David remembered it! Mike was so touched. In the previous few years, I picked Mike up and drove him to numerous gatherings the place we learn the play, and other people would ask for his autograph or he’d pose for an image and it buoyed his spirits. It’s becoming that his final performances have been in a Mamet work.

As soon as, in a manufacturing of Willy Holtzman’s play Hearts, Mike and I had a little bit disagreement over a second within the play. As a result of I used to be the director, he accepted my suggestion. As I recall, one of many evaluations lauded that second, and the following morning, Mike referred to as to thank me for insisting he play it that method. I had forgotten about it, however in his pure sense of equity and justice, he needed to set the file straight. That was Mike.

He and Annette raised their youngsters Jack, Karen, and Susan that method: progressive, with an unerring sense of social justice, and with the dedication to enhance our world.

At almost 100, Mike had come to the tip. I introduced him corned beef sandwiches and we might watch his beloved Cubs, however for the final go to he informed me to not convey him something. Regardless, I introduced a script with a fantastic function in it for him, simply to maintain him hungry in regards to the work.

However he needed to go; he mentioned he was bored. If he couldn’t act, what was the purpose? In the long run, he provided one other lesson: to depart with dignity, with blunt honesty, and on his personal phrases. For Mike it was in regards to the work, and his fellow artists. It was time.

He by no means missed an entrance, and he knew find out how to make an exit.

However his ghost mild will all the time burn brightly for me.

B.J. Jones is the creative director of Northlight Theatre in Skokie, In poor health.

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