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Friday, March 1, 2024

Madi Diaz: Bizarre Religion Album Evaluate

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Falling in love might be stunning, however isn’t it form of absurd and mortifying, too? This paradox is on the coronary heart of Bizarre Religion, the brand new album from Nashville singer and songwriter Madi Diaz. She approaches it with an impeccable sense of melody and a collection of potent questions, the sort that run like a 3rd rail beneath a brand new relationship’s honeymoon section (and, typically, its decline): “Do you suppose this might smash your life?” “How properly do you wanna get to know me?” “Is it exhausting to like me?”

Diaz obtained her largest break as a solo artist a pair years in the past, after releasing 2021’s stellar Historical past of a Feeling. However her resume runs a lot deeper: A Berklee dropout, she moved to Nashville, then L.A., then again to Nashville to work as a songwriter, contributing to tracks for artists like Kesha and Little Massive City and writing music for soundtracks and commercials. All of the whereas, she was writing and recording solo albums that struggled to search out their footing. Historical past of a Feeling kickstarted a dramatic shift in her trajectory. That document documented the tip of a long-term relationship, which coincided with the beginning of her ex-partner’s gender transition—a posh, nuanced denouement that she captured in perceptive, charged, and infrequently excruciating folk-tinged indie-rock songs. From there, issues took off: her first solo tour in virtually a decade, TV bookings, and excursions opening for indie icons (Waxahatchee, Angel Olsen) and even a pop megastar (Harry Kinds, whose touring band she briefly joined).

Although Diaz has performed for stadium-sized crowds, Bizarre Religion is just not a document of brilliant lights and pyrotechnics, however a doc of explicit, private idiosyncrasies—like a home fantasy that ends with loss of life on the swooning “Kiss the Wall,” or the way in which she turns each teenager’s favourite lewd celebration recreation into an ode to difficult coexistence on “KFM.” Her lyrics dig into particulars, zeroing into some significantly unusual moments in relationships: the weirdness of frequently working into your accomplice’s ex (“Girlfriend”); the painful center of a slowly fizzling romance (“For Months Now”). Diaz doesn’t veer a lot from the easy manufacturing that marked Historical past of a Feeling, however she is aware of find out how to add layers of sound to inject a bit of catharsis, just like the transient, fuzzy squall in “Kiss the Wall” or the kaleidoscopic overlay of voices in direction of the tip of “God Individual.”

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